Critics have described the loosely defined group as smug, full of contradictions and, ultimately, the dead end of Western civilization. Think of Paris Hilton in her trucker hat. Their claim is that the contemporary depiction of hipster is generated through mass media narratives with different commercial and ideological interests.
He muses that the hipster might be the "embodiment of postmodernism as a spent force, revealing what happens when pastiche and irony exhaust themselves as aesthetics", or might be "a kind of permanent cultural middleman in hypermediated late capitalism, selling out alternative sources of social power developed by outsider groups, just as the original 'white negros' evinced by Norman Mailer did to the original, pre-pejorative 'hipsters'—blacks". Once you take the Bourdieuian view, you can see how hipster neighborhoods are crossroads where young people from different origins, all crammed together, jockey for social gain.
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